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Description
celebrity nuna mixx stroller Nuna MIXX Next Stroller with MagneTech Secure Snap – Juvenile ShopPack up and go anywhere with MIXX next. On the move, its a smooth ride you can maneuver with one hand and lay flat for newborn comfort. The MIXX next includes a compact fold away axle, and MagneTech Secure Snap the self guiding magnetic buckle that automatically locks into place. Packed away, its compact fold lets it fit into tighter spaces, so you can take more trips to more places. Four modestravel with MIXX next paired with a bassinet or PIPA
Pack up and go anywhere with MIXX next. On the move, it’s a smooth ride you can maneuver with one hand and lay flat for newborn comfort. The MIXX next includes a compact fold-away axle™, and MagneTech Secure Snap™ - the self-guiding magnetic buckle that automatically locks into place. Packed away, its compact fold lets it fit into tighter spaces, so you can take more trips to more places.
Four modes—travel with MIXX next paired with a bassinet or PIPA™ series infant carrier, or use the stroller seat facing you or facing the world.
MIXX next can be used from birth to 50 lb.
Use
- Compact fold-away axle™ for a more compact fold
- Stands on its own when folded
- 1-touch rear-wheel braking system for scuff-free shoe control
- Easy to flip the seat and switch to bassinet or travel system modes
- Quick-release 5-point harness for secure strolling
- Pairs perfectly with all Nuna PIPA™ series infant car seats
- 4 modes: PIPA series infant car seat, bassinet, seat parent-facing or world-facing
- Ring adapter is included for an easy on/off one-click travel system
Safety
- MagneTech secure snap™ is a self-guiding magnetic buckle that automatically locks into place
- No-rethread harness for easy adjustments
Comfort
- Rear-wheel free-flex suspension and front-wheel progressive suspension technology
- All-season seat keeps baby comfy in winter and unsnaps to mesh in summer
- 5-position recline easily adjusts with 1 hand
- True-flat recline for newborn comfort
- Adjustable calf support with integrated footrest promises a comfortable ride
- Height-adjustable pushbar to accommodate varying heights
- Removable armbar fits kids of all sizes
Premium Details
- 1-piece fuss-free compact fold no matter which way the seat is facing
- Removable 2-piece seat insert grows with baby
- Tough, rubber, foam-filled tires are ready for any terrain
- Automatic quick-click fold lock with trolley function for seamless stows and tows
- UPF 50+ canopy is water-repellent and extendable and features a flip-out eyeshade, ventilation panel, and window
- Luxe leatherette accented pushbar and armbar
- 2-compartment basket including a secret zipper pocket
- Cell phone pocket on seat back
What's in the box
- MIXX stroller
- MIXX car seat ring adapter
Specifications:
- Dimensions (open): 45.3"H x 32.7"L x 23.6"W
- Dimensions (folded): 19"H x 27.5"L x 23.6"W
- True weight: 29 lbs.
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4.8 ★★★★★
Based on 1378 reviews
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Product Reviews
★★★★★ 5
Five Stars
Format: Hardcover
nice
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Reviewed in the United States on December 1, 2014
★★★★★ 5
moelicious
Format: Hardcover
i cant wait to read it!!!!!
It came in great condition just like the ones I bought in australia
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Reviewed in the United States on May 10, 2009
★★★★★ 3
not as funny as others
the other simpsons libary of wisdom books are better. but still a fun read and good for the price. Moe
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Reviewed in the United States on April 10, 2013
★★★★★ 5
Batman for the Sake of Art: A Great Collection
Format: Paperback
I enjoyed this very much. I also found it an adventure to read and view these Batman tales because they were different from what I've read so far. Mark Chairello wanted to create a Batman volume with different artists collaborating on it and he accomplished that. But what was most impressing to me and what I found so different from what I've ever read on the Batman is the impressionistic style of the artwork and perhaps, the absence of plots. The narratives that we find here are most likely to be vignettes, shorter than short stories. This narrative style accompanied by the impressionistic artwork where we see each artist's interpretation of the Batman defines the tone, mood, and characterization of this collection of stories.
Although each artist showed his own version of the Batman, the artwork of each had one thing in common: it stressed the Dark Knight persona of the Batman. The stories were less controlled by a sense of plot than a sense of atmosphere and characterization. These were darker than what I'm accustomed to read. Death permeates its pages. Batman fights crime but he can't prevent the bloodbath while he's doing so. The very first story, Perpetual Mourning, shows the detective seeking a clue for a murderer on a corpse in a morgue. While doing so, an interior monologue reveals the Batman's thoughts and his feelings toward the victim. Readers see their hero internalize the loss of this victim. McKeever intensifies this feeling by presenting a couple dancing: is this the woman while alive dancing with Batman? Was this someone Batman knew as Bruce Wayne? Other stories that I immediately classified as favorite are Joe Kubert's The Hunt; Good Evening, Midnight by Klaus Janson; a psychological drama, In Dreams, by Andrew Helfer and art by Liberatore; Heist, written and illustrated by a minimalist artist, Matt Wagner; Brian Bolland's An Innocent Guy is quite interesting because it summarizes Batman's life from the point of view of a person who plans on killing him; and Archie Goodwin's Heroes illustrated by Gary Gianni. This latter story is a WWII story where Batman deals with Nazis. Bruce Timm's Two of a Kind, is really a Two-Face story more than a Batman story. It has the traits of noirish films of the 40s where the attempts of criminal to reform are thwarted by fate. Two Face finally gets a human face, falls in love with the doctor who made it possible, but fate eventually gets in the way. There are some R-rated panels in this story. Walter Simonson gives us a futuristic story about the Batman, while veteran Dennis O'Neil shares a narrative that goes deep into Batman's psyche and a Christmas story that reminds us of some of his early works in the seventies. Batman pursues a strange serial killer in Howard Chaykin's Petty Crimes and Goodwin tells a haunting tale of a demonic trumpet, illustrated by Jose Munoz. Monster Maker by Jan Strnad was also quite haunting for it shoes the influence of gang violence on children. Illustrated by Richard Corbin, it is perhaps the most graphically violent of this collection. I notice that the title of this collection is accompanied by the name of Frank Miller, but he only makes one cover artwork contribution in this book.
Thus, do not expect plotted narratives in this tome. Just enjoy the artwork and short vignettes about who the Batman is and the world in which he lives. I was not disappointed by this purchase and enjoyed the reading very much.
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Reviewed in the United States on July 21, 2017
★★★★★ 5
Must-Own for True Batman Fans
Format: Paperback
I own and have read all 3 volumes of these Batman: Black and White books. They're all good, and in order of volume, so Volume #1 is the best, by far.
What makes them great (and I'm mostly referring to volume one, although these can apply to all volumes):
- Large collection of unique stories, and the stories are short - about 8 pages, I think. So I made a habit of reading just one or a few stories at the end of each night, for example. There's 20 different stories! So if you're a big Bat-Fan like me, you're bound to like most.
- A different writer and artist for each story. So, some of the stories you'll love, and some you might hate. But for the most part, I liked a large percentage of them. And when they're good, they're REALLY GOOD! And sometimes, if the story isn't that great, the artwork might make up for it (or vice versa).
- The artwork! Again, a large percentage of the stories really do have fantastic art. It's a real treat turn the page and read an entirely different story with a completely different (artistic) take on Batman.
Plain and simple, every huge Batman fan should own all of these books. Start with this volume.
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Reviewed in the United States on May 11, 2010